VORLAGE AUF BASIS Gold
Arles is a built palimpsest – the transitional result of two thousand years of construction and transformation. Today, the evocative Roman fragments, picturesque alleyways and presumed lightness of the Mediterranean lifestyle attract hordes of tourists. Since the turn of the millennium, global money and the international art market have given the little town an extra boost
The extra muros borough of La Roquette has always been popular: fishermen and craftsmen, revolutionaries, World War II resistance fighters, gypsies, immigrants, artists. Nowadays, gentrification has taken over: The neighbourhood attracts affluent art and culture aficionados looking to spend the eve of their lives here, or to own a pied-à-terre.
The picturesque lanes have been embellished with pretty pavements. Behind the facades are more and more resi-dential condominiums, tastefully renovated by the neo-Arlesians. Many of them are rented out to tourists via internet booking platforms.
The urban landscape of La Roquette and the people who chose to live there were photographed with the eye of a tourist. They buy their daily bread at Jaouad Aaouine’s Fournil de la Roquette, walk their dog and have a few words with each other. Here, the Clash of Cultures takes on a friendly, inoffensive face.
The photographs were taken in the summer of 2023 in Arles, France, mostly in the borrough of La Roquette.
The series is the tangible result of the workshop Aller vers les autres: un regard sur la ville with Marseille photographer Yohanne Lamoulère, held during the Rencontres de la photographie d’Arles.
My gratitude goes to Yohanne Lamoulère, who portrays strangers with humility, respect and yet determination. Thank you, Anne-Marie, Catherine, Ernst, Jaouad, Mark, Michel C., Michel F., Rosa, Sylvie and Poppy for your willingness and generosity to be part in this.
Un lieu de choix is being exposed in the online gallery of the Rencontres.
«Gold And Other Coasts» is an essence of 60 landscape images that are part of a larger investigation into the visible processes of transformation in the environment. Conceptually, they are anchored in the interplay of geography, autobiography and metaphor, which, according to Robert Adams, is the essence of landscape pictures. The images were created in the artist’s home in 21st century Switzerland and his places of longing in France and Germany.
Education
Diploma (MSc) in Architecture, Federal Polytechnic School of Lausanne EPFL, Switzerland
Exhibitions
2024 – Stäfart, Staefa/Zurich art days, individual exhibition of the series Gold And Other Coasts.
2023 – Arles Rencontres de la photographie, ephemeral and online group show exhibition of the series Un lieu de choix.
2019 – Arles Rencontres de la photographie, ephemeral and online group show of the series Arles, début d‘après-midi, août 2019.
Book publications
2013 – Reto Gadola (Hg.), Architektur der Sehnsucht – 20 Schweizer Ferienhäuser aus de 20. Jahrhundert, gta Verlag, Zürich
2007 – Arthur Rüegg und Reto Gadola (Hg.), Kongresshaus Zürich 1937–1939 – Moderne Raumkultur, gta Verlag, Zürich.
In a multi-stage condensation and selection process, 60 images are identified from a larger body of work and arranged in a sequence that follows the logic of leafing through a book. The explanatory text above could provide the intellectual framework in order to better anchor the imagery and at the same time expand its scope of meaning.
The dummy gives an idea on how the photobook could feel and look.
«Gold And Other Coasts» was shown to a larger audience for the first time at the local art days in the artist’s home town. In the vaulted cellar of a 18th century winemaker’s house, 25 of the 60 pictures were regrouped into 5 sequences: Human Touch – Interactions – Ghosts – Landscape – Home. One of the highlights of the show was the guitar performance Gold And Other Gosts by Daniel Erni.
Exhibition design and non-destructive craftsmanship by the artist.
Print sales

All images of the series are available in various sizes as limited editions. Archival inkjet pigment print on sustainable Hahnemühle Fine Art Bamboo paper. Float mounting, natural hornbeam frame from local Zurich production. Anti-reflective white glass with UV protection. Printing, mounting and framing is hand made by the artist.
For details and prices please contact Reto.
















