VORLAGE AUF BASIS Gold

Arles is a built palimpsest – the transitional result of two thousand years of construction and transformation. Today, the evocative Roman fragments, picturesque alleyways and presumed lightness of the Mediterranean lifestyle attract hordes of tourists. Since the turn of the millennium, global money and the international art market have given the little town an extra boost

The extra muros borough of La Roquette has always been popular: fishermen and craftsmen, revolutionaries, World War II resistance fighters, gypsies, immigrants, artists. Nowadays, gentrification has taken over: The neighbourhood attracts affluent art and culture aficionados looking to spend the eve of their lives here, or to own a pied-à-terre.

The picturesque lanes have been embellished with pretty pavements. Behind the facades are more and more resi-dential condominiums, tastefully renovated by the neo-Arlesians. Many of them are rented out to tourists via internet booking platforms.

The urban landscape of La Roquette and the people who chose to live there were photographed with the eye of a tourist. They buy their daily bread at Jaouad Aaouine’s Fournil de la Roquette, walk their dog and have a few words with each other. Here, the Clash of Cultures takes on a friendly, inoffensive face.


The photographs were taken in the summer of 2023 in Arles, France, mostly in the borrough of La Roquette.

The series is the tangible result of the workshop Aller vers les autres: un regard sur la ville with Marseille photographer Yohanne Lamoulère, held during the Rencontres de la photographie d’Arles.

My gratitude goes to Yohanne Lamoulère, who portrays strangers with humility, respect and yet determination. Thank you, Anne-Marie, Catherine, Ernst, Jaouad, Mark, Michel C., Michel F., Rosa, Sylvie and Poppy for your willingness and generosity to be part in this.

Un lieu de choix is being exposed in the online gallery of the Rencontres.

«Gold And Other Coasts» is an essence of 60 landscape images that are part of a larger investigation into the visible processes of transformation in the environment. Conceptually, they are anchored in the interplay of geography, autobiography and metaphor, which, according to Robert Adams, is the essence of landscape pictures. The images were created in the artist’s home in 21st century Switzerland and his places of longing in France and Germany.

Education

Diploma (MSc) in Architecture, Federal Polytechnic School of Lausanne EPFL, Switzerland

Exhibitions

2024 – Stäfart, Staefa/Zurich art days, individual exhibition of the series Gold And Other Coasts.

2023 – Arles Rencontres de la photographie, ephemeral and online group show exhibition of the series Un lieu de choix.

2019 – Arles Rencontres de la photographie, ephemeral and online group show of the series Arles, début d‘après-midi, août 2019.

Book publications

2013 – Reto Gadola (Hg.), Architektur der Sehnsucht – 20 Schweizer Ferienhäuser aus de 20. Jahrhundert, gta Verlag, Zürich

2007 – Arthur Rüegg und Reto Gadola (Hg.), Kongresshaus Zürich 1937–1939 – Moderne Raumkultur, gta Verlag, Zürich.

«Everything is nature – there is only a degree of naturalness», postulated the Zurich architect, landscape designer, and visionary of ecological awareness in the 1980s, Eduard Neuenschwander. Climate, time, chance, and probability shape the environment through dynamic optimization processes: stones, mountains, valleys, lakes, rivers, seas, microorganisms, plants, animals, and man are part of these natural – that is, chemical, physical, and biological – processes. Through his cultural practices, man intervenes in these processes. He cultivates the land and invents agriculture, becomes sedentary, and builds houses and factories. He connects them with roads, railways, and airplanes, organizes himself into villages, towns, and agglomerations. The buildings created by man are also subject to constant processes of change. They are created, altered, and maintained – as long as they serve a purpose. If they are neglected or abandoned, they decay and nature is taking over again.

The images of «Gold And Other Coasts» were created between 2019 and 2024. They depict real places with which Reto Gadola is familiar. His home on the Zurich Gold Coast forms the starting point of the investigation. In the booming metropolitan area around the economic hub of Zurich, centuries-old village structures  and identities are being destroyed systematically. Rampant real estate speculation is fuelling this periurbain «densification» and caters to the needs of a wealthy – often international – clientele. In stark contrast, Mérigny in the French Département Indre, an agriculturally shaped village in the French province, tells a different story. After a brief economic boom in the late 19th century, the town was left behind economically and is now marked by rural depopulation and abandoned houses. Here, Reto has found a photographic home. The situation in the southern French Sète is more nuanced, a port town on the Mediterranean where Reto spends his summer holidays with his family. Situated at the key junction between sea and land, the town gained economic significance with the construction of the Canal du Midi at the end of the 17th century. Over the course of the 20th century, its prosperity faded – the seaside resorts initiated by President Charles de Gaulle in the 1960s were realized elsewhere. Sète remained seafaring, rough, and rugged. Recently, Reto has often been in the Free and Hanseatic City of Hamburg, still a center of global trade, cosmopolitan, and shaped by a turbulent history. It is not small rowing boats, as on Lake Zurich, that define the dimensions and materiality of the place, but huge container ships, port facilities, and the transport arteries of post-war reconstruction.

The photographs of «Gold And Other Coasts» are two-dimensional representations of the real environment, cropped and framed. In the service of a heightened degree of abstraction and a less obvious connection to time, color information has been omitted. They are black and white, in a square format, and their content is guided by an architecturally informed gaze. The images are a kind of empirical visual analysis of phenomena and conditions in natural landscapes and in those altered by man. Spaces, buildings, and places are depicted in their simplicity or complexity, or as ghostly appearances at night. Natural and culturally induced processes of transformation in the environment become visible – driven by climate, time, chance, and probability.

Photobook (in preparation)

In a multi-stage condensation and selection process, 60 images are identified from a larger body of work and arranged in a sequence that follows the logic of leafing through a book. The explanatory text above could provide the intellectual framework in order to better anchor the imagery and at the same time expand its scope of meaning.

The dummy gives an idea on how the photobook could feel and look.

Exhibition in Staefa/Zurich, 2024

«Gold And Other Coasts» was shown to a larger audience for the first time at the local art days in the artist’s home town. In the vaulted cellar of a 18th century winemaker’s house, 25 of the 60 pictures were regrouped into 5 sequences: Human Touch – Interactions – Ghosts – Landscape – Home. One of the highlights of the show was the guitar performance Gold And Other Gosts by Daniel Erni.

Exhibition design and non-destructive craftsmanship by the artist.

Print sales

All images of the series are available in various sizes as limited editions. Archival inkjet pigment print on sustainable Hahnemühle Fine Art Bamboo paper. Float mounting, natural hornbeam frame from local Zurich production. Anti-reflective white glass with UV protection. Printing, mounting and framing is hand made by the artist.

For details and prices please contact Reto.

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